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Gustave Moreau
Pieta
Pieta(1852).
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Gustave Moreau
Orpheus
Orpheus (1865).
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Gustave Moreau
Prometheus
Prometheus (1868).
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Gustave Moreau
Europa and the Bull
Europa and the Bull (1869).
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Gustave Moreau
Salome
Salome (1876).
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Gustave Moreau
Hesiod and the Muse
Hesiod and the Muse
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Gustave Moreau
Jupiter and Semele
Jupiter and Semele
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Gustave Moreau
Oedipus and the Sphinx
Oedipus and the Sphinx
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Gustave Moreau
Ibracian girl carrying tbe head of orpbeus
mk289 ca1865 oil on canvas private collection
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Gustave Moreau
Moreau
Jason et Medee, par Gustave Moreau (1865). Huile sur toile, 204 x 121,5 cm. Musee d??Orsay, Paris, France.
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Gustave Moreau
Jupiter und Semele
1896
oil on canvas
213 X 118 cm
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Gustave Moreau
See below
204 x 121,5 cm.
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Gustave Moreau
Herkules und die Lernaische Hydra
Date 1876
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Gustave Moreau
Mort de Sapho
ca. 1870(1870)
Oil on canvas
81 X 62 cm (31.89 X 24.41 in)
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Gustave Moreau
Mort de Sapho
Date ca. 1870(1870)
Medium Oil on canvas
Dimensions 81 X 62 cm (31.89 X 24.41 in)
cyf
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Gustave Moreau
Thracian Girl Carrying the Head of Orpheus on His Lyre
Date 1865(1865)
Medium English: Oil on canvas
154 x 100
cjr
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Gustave Moreau
Pieta
Date ca. 1876(1876)
Medium Oil on canvas
Dimensions 23 x 16 cm (9.1 x 6.3 in)
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Gustave Moreau
Prometheus
Date 1868(1868)
Medium Oil on canvas
Dimensions Deutsch: 205 x 122 cm
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Gustave Moreau
Thracian Girl Carrying the Head of Orpheus on His Lyre
1865(1865)
Medium English: Oil on canvas
cyf
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Gustave Moreau
Pieta
c. 1876(1876)
Medium Oil on canvas
Dimensions 23 x 16 cm (9.1 x 6.3 in)
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| Gustave Moreau
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French
1826-1898
Moreau's main focus was the illustration of biblical and mythological figures. As a painter of literary ideas rather than visual images, he appealed to the imaginations of some Symbolist writers and artists, who saw him as a precursor to their movement.
His father, Louis Jean Marie Moreau, was an architect, who recognized his talent. His mother was Adele Pauline des Moutiers. Moreau studied under François-Édouard Picot and became a friend of Th??odore Chass??riau, whose work strongly influenced his own. Moreau carried on a deeply personal 25-year relationship, possibly romantic, with Adelaide-Alexandrine Dureux, a woman whom he drew several times.[1] His first painting was a Piet?? which is now located in the cathedral at Angoul??me. He showed A Scene from the Song of Songs and The Death of Darius in the Salon of 1853. In 1853 he contributed Athenians with the Minotaur and Moses Putting Off his Sandals within Sight of the Promised Land to the Great Exhibition.
Oedipus and the Sphinx, one of his first symbolist paintings, was exhibited at the Salon of 1864. Over his lifetime, he produced over 8,000 paintings, watercolors and drawings, many of which are on display in Paris' Mus??e national Gustave Moreau at 14, rue de la Rochefoucauld (IXe arrondissement). The museum is in his former workshop, and was opened to the public in 1903. Andr?? Breton famously used to "haunt" the museum and regarded Moreau as a precursor to Surrealism.
He had become a professor at Paris' École des Beaux-Arts in 1891 and counted among his many students the fauvist painters, Henri Matisse and Georges Rouault.
Moreau is buried in Paris' Cimeti??re de Montmartre.
In Alan Moore's graphic novel, The League of Extraordinary Gentlemen, it is implied that he was a nephew of Doctor Moreau, and he based a few of his paintings on the Doctor's creations.
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